
- Said, said, said, said, said! My mother jabs her finger down the page. It’s so boring! She looks exasperated.
- But it’s not boring! It’s very exciting! I want to know what happens next.
- Said Julian, said Dick, said George. Didn't you notice? Proper reading is when you read the words.
She’s right. Why hadn’t I noticed?
- Look at this. She produces another red-covered book, the same size as Five Go to Smuggler's Top. My spirits lift for a moment, then I see the title: Just William. Richmal? Why do these writers all have funny names? The pictures aren’t as good as Eileen Soper’s. The boy doesn't look much older than me. He’s very scruffy. There isn’t anyone who looks as sensible as Julian. At least there’s a dog, but he’s not powerful like Timmy. I don’t think these children will be able to deal with grownup situations like smugglers and spies. But the print is small, which suggests it's for older children. It is confusing. I look again at the boy with his cap askew and his socks around his ankles. His face is grinning and dirty.
- That boy doesn’t look very reliable.
- He's got more life in his little finger than all this lot together.
I stare at his little finger, which is just a blur.
- I think you'll enjoy his company. But you can’t have it yet. Finish that Famous Five and come and tell me all about it. Then we’ll see.
* * *
My mother is right of course. She is always right. There is an art to writing that doesn’t draw attention to itself. But now she’s pointed it out, I can’t help noticing the saids, and that’s done for it.
William hardly ever just “says” anything. He’s forever exclaiming, proclaiming, conjecturing, expostulating, reasoning, arguing, protesting and even ejaculating. (Ah that will get me some Google traffic. But those were the days when social intercourse was polite.) I get the impression of a boy with a very mobile face.
Sometimes I need to ask the meaning of a word, and the tubby, child-sized COD has become a dear friend. But that's another story.
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